Created in white marble and Red Verona marble, Covid emerged in the earliest weeks of the virus’s global spread. As fear moved rapidly across borders and through bodies, I began shaping this piece—carving uncertainty, fragility, and the invisible weight of collective anxiety into stone. The sculpture reflects how destabilizing the moment was: a stark tension between vulnerability and resilience. Through the shifting, skeletal form, I tried to give shape to an emotion that was everywhere yet impossible to grasp. It stands as a symbolic imprint of a world suddenly thrown out of balance, searching for a new point of equilibrium.

Carved in dark stone with soft red incisions, Tribal Panther grew out of my search for African primal forms—shapes guided by instinct, ritual, and ancestral memory rather than academic rules. The sculpture is not a literal panther. Instead, it draws on the symbol of the animal—its alert presence, quiet strength, and role as both protector and mythic figure. The broken planes and rough textures reflect the spirit of tribal carving, where forms are reduced to their essential energy. With this piece, I wanted to return to the origins of sculpture, where creation comes from intuition and the pulse of an older, untouched world, rather than from strict representation.

Cipollino Marble | 37x20x9cm 3kg

Carved from White Carrara marble, Horizon explores the balance between fragmentation and vision. The face appears through the broken planes like a distant figure coming into view—part clear, part hidden—much like how we see the future in pieces.The sculpture holds a quiet sense of someone looking beyond the present. The sharp cuts and smooth surfaces reflect the inner feelings of anticipation, uncertainty, and hope. Each line guides the eye outward, toward something just beyond sight. In Horizon, the human form becomes both steady and searching—rooted in stone, yet reaching toward possibility. It expresses the delicate point between what we understand now and what we sense is still ahead.

Made in varnished terracotta, Capitalism shows the human figure shaped—and strained—by the forces around it. Gold leaf fragments rest on the surface like scars or trophies—symbols of value that attract yet also damage. They trace the marks of desire, ambition, and exploitation, reflecting a pursuit that promises gain but often divides or distorts the self. The quiet, distant face suggests the emotional cost of living within an economic system that reduces people to producers. The figure becomes a vessel carrying a weight it cannot fully express. In Capitalism, the sculpture mirrors a world where material striving and inner emptiness exist side by side, holding the fragile balance between what we achieve and what we lose along the way.

Carved from Portugal Pink marble, Deposition explores the slow accumulation of experience—emotional, geological, and spiritual. The surface ripples with layered textures, resembling both eroded stone and the delicate folds of organic tissue

Composed from Portoro marble, White marble, and Red Spanish Alicante, Solidarity unites three distinct stones into a single shared form—an embodiment of coexistence, mutual support, and collective strength. The figure rises from dark veined marble, its posture steady, as if carrying the weight of many voices within a single body. Above the head, the interplay of red and white stone suggests intertwined presences—individual yet inseparable—lifting together, leaning together. Their shapes evoke the idea that unity is not the absence of difference, but the harmony created when differences stand in relation. The contrast of textures and tones becomes a metaphor for connection: the polished surfaces and fractured lines speaking to the complexities of standing with others in times of need. In Solidarity, sculpture becomes a testament to shared resilience—a reminder that equilibrium is not achieved in isolation, but through the quiet, powerful act of holding one another up.

Ceramics and honeycomb

Carved from Black Marquina marble, Maternity embodies the profound duality of strength and tenderness that defines the act of creation. The dark stone, dense and grounding, lends the figure an almost monolithic presence—an anchor for the life held gently within its embrace. The form rises in a quiet, protective gesture: a silhouette that feels both ancient and universal. The rough textures and flowing lines echo the rhythms of nurture—warmth, shelter, and the silent devotion that binds one being to another. Subtle transitions within the marble suggest the merging of two identities, the moment when boundaries soften and connection becomes sustenance. In Maternity, the sculpture becomes a vessel of origin, a reminder of the equilibrium between vulnerability and resilience that motherhood carries. It stands as a tribute to the timeless, instinctive act of giving life shape, protection, and a place to begin.

Mixed Media on Wood | 85x60x12cm 5kg

Carved from Statuary Carrara marble, Emotional Awareness explores the intricate terrain of feeling—how emotions surface, ripple, and reshape the self from within. The sculpture’s cascading layers evoke waves of internal movement, each fold a trace of something sensed, processed, or transformed. From the textured mass, a face gradually emerges, not fully defined but unmistakably present. It appears to rise from the shifting marble as insight rises from experience—slowly, quietly, through countless subtle adjustments. The interplay of sharp ridges and softened contours mirrors the way we navigate our inner lives: sometimes with clarity, sometimes through turbulence, always in motion. In Emotional Awareness, the human form becomes a vessel for introspection, embodying the equilibrium between vulnerability and understanding. It reflects the ongoing practice of recognizing our emotional landscapes and allowing them to guide us toward deeper connection with ourselves and others.